In the font Works, the worldwide Roman font manufacturers "Monotype" company 9,000 typefaces than roman / multi of which boasts a 130-year-old Language fonts, offers an annual flat-rate font service that is available on an annual contract, "Monotype LETS" I will.

In addition to the abundance of European typefaces, in addition to the standard Latin Language, extended Latin fonts that support more than 89 Language including Cyrillic, Greek, etc., Hebrew, Devanagari, Arabic, Thai, etc. Language from the fact that in response to the corresponding font, in recent years, multi-Language deployment mandatory Game industry The use in is increasing.
Contains fonts that comply with Chinese national standards It is also a point that you can use with confidence!

Here are some of the most famous typefaces from Monotype!

Classic font "Neue Helvetica ®"

Created by the project teams of Max Meadinger and Haas Type Foundry in Switzerland, Helvetica has become one of the most famous and popular typefaces in the world thanks to the marketing strategies of Sempel and Rhinotype. Helvetica is now an integral part of many digital printers and operating systems.

The original shape of Helvetica was adjusted for the Rhino type automatic casting typesetting machine. The Helvetica has expanded over the years and the weight variations have increased, but not in harmony with each other. In 1983, Stempel created Neue Helvetica, a digital reprint of Helvetica for Rhinotype, and expanded it into a family. Currently consists of 51 types of weights. Based on Helvetica Roman 55, the tens digit of the number represents the Weight of the line (25 Ultra Light or 95 Extra Black) and the ones digit represents the width and Styles (Helvetica 53 Extended or Helvetica 57 Condensed). ..

Now, Neue Helvetica has become the new standard in its glyphs and variations. Neue Helvetica is a representative of the sans-serif type, which is timeless and can be used in all kinds of neutral communication situations.

"Neue Frutiger®" with excellent functionality and clarity

The original Frutiger typeface was designed in the early 1970s by a team led by Adrian Frutiger for the signage system at Charles de Gaulle Airport in Paris. Shortly after the airport opened, a number of companies offered to use this typeface for other sign systems and publications, and in 1977, the Frutiger typeface appeared in the Linotype library.

As a typical typeface with excellent functionality and clarity, it has become one of the masterpieces of modern times, both as an important typeface for signatures and printed materials.

Neue Frutiger® is the 2009 edition of the Frutiger typeface family. With the close cooperation of Adrian Frutiger, Akira Kobayashi reviewed the design and made improvements.

Modern British classic font "Gill Sans®"

Gill Sans is a humanist-Styles sans-serif family, often considered to be British in tone and concept, but used worldwide in a variety of situations.

Gill Sans has won the ubiquitous font position because of its extraordinary and distinctive design.

This family has a wide variety of Styles. Light is an open and elegant standard Styles. Regular has d with a flat bottom, p and q with a flat top, and t with a sharp top, and features a compact and powerful appearance. While Bold has an open and soft feel, Extra Bold and Ultra Bold each have a distinct personality, but both can create eye-catching Heading.

It has a wide variety of weights, has condensed and extra-condensed designs, and has extended Language Support, making it versatile.

A universal typeface that does not fade "DIN Next ®"

DIN Next is a family developed by applying a modern design process to the representative DIN typeface.

DIN is an abbreviation for the German Standards Institute (Deutsches Institut für Normung), and the DIN typeface was born in 1931 as the industry standard typeface DIN 1451. DIN 1451 contains standard alphabets for machine engraving, lettering, stencil and typography and was used as a typeface for public signs, traffic signs, guidance/guidance signs, drafting and technical documentation. The DIN, which started with the letters for identifying the railroad car, had a geometric design so that it could be easily reproduced with a compass and a ruler.

With a modern typeface, this classic design has 7 weights from Light to Black and is available in italic and condensed versions. This family also has the DIN Next Rounde, which is a typeface with a softer look and a more familiar look.

Sophisticated atmosphere "Sackers Gothic™"

Sackers Gothic is part of the larger Sackers series.

The Sacker series is a collection of typefaces based on templates by Gary Sackers, an intaglio printing company in Charlotte, North Carolina, for making inscribed stationery and business cards.

Sackers Gothic has since become a popular choice for conveying honest and straightforward language in book covers, posters and of course stationery. It works well with Heading typefaces of different nature and is suitable when you need a sophisticated atmosphere.

Other catchy typefaces

Avant Garde Gothic is an original typeface designed by the American graphic designer Herb Lubalin for the logo of the magazine "Avant Garde".

A geometric sans-serif body with a somewhat retro look, which is very popular. One of the features of Avant Garde Gothic is the design of overlapping characters called ligatures (ligatures).

It is a typeface with only uppercase letters that retains the atmosphere of copper plate engraving and is often used for wine labels and high-grade chocolate Packaging.

You can suppress it to the tone and convey a delicate feeling.

It's a round Gothic typeface, as the name "candy" is.